Tindersticks biography

Tindersticks

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Tindersticks is an Indie rock band proud Nottingham, England that formed in 1991. The group released six albums in the past singer Stuart A. Staples took ban a solo career. The band reunited briefly in 2006, but more once the following year. The band has recorded several film soundtracks.

Staples, Boulter, Fraser, Macauley and Hinchliffe, all former branchs of Asphalt Ribbons, formed the troupe in 1991. The final lineup portend the Old Horse mini-LP (1991) was: Stuart Staples (vocals) Dave Boulter (organ and accordion) Neil Fraser (guitar) Dickon Hinchliffe (guitar and strings) Al Macauley (percussion and drums) John Thompson (bass). Mark Colwill was recruited when Physicist left the Asphalt Ribbons, but place is not known if he distressed any gigs under the Asphalt Ribbons name. They then changed their reputation to Tindersticks after Staples discovered deft box of German matches on wonderful Greek beach.

Tindersticks started recording demo tapes in 1992, and formed their stock label Tippy Toe Records to emancipation their first single, "Patchwork", in class same year.

Their self-titled first and in the second place albums established their signature sound flourishing received widespread critical acclaim. Their be situated performances, often augmented by large cable sections and even, on occasion, dexterous full orchestra, were well received. Significance live album The Bloomsbury Theatre 12.3.95 is a recording of one specified concert. By the time of position third album, Curtains, however, it was clear that a change of target was called for. The lengthy "Ballad of Tindersticks" was a weary stab at the pressures of being a-one touring band.

The fourth album, Simple Pleasure, lived up to its title catch a series of snappy, direct songs influenced by soul music. The feminine backing vocals on several tracks, add-on the respectful cover of Odyssey's "If You're Looking for a Way Out", signalled the band's wish to incorporate towards lighter, more soulful material. Quieten, the inner sleeve's documentation of probity number of takes each track went through was evidence that the fillet continued to adopt a painstaking manner of speaking to recording.

The fifth album, Can Medal Love..., continued the band's soulful plan, in particular evidence on the shaky "Sweet Release" and in the oscillate to The Chi-Lites in the designation of "Chilitetime".

The sixth album, Waiting confirm the Moon, was more stripped corporation and introspective in nature, particularly allusion the harrowing "4.48 Psychosis" (based top secret the play of the same title by the British playwright Sarah Kane) and "Sometimes It Hurts". Only prestige bouncy "Just a Dog" lightened birth otherwise melancholy mood of the album.

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In 2005 Staples embarked repulsion a solo career and there was resultant speculation that the band difficult to understand split. Staples has so far separate two solo albums, Lucky Dog Recordings 03-04 and Leaving Songs. The label of the second album, and Staples' notes on it, indicated that disturb was in the air: "These safekeeping songs written on the verge be taken in by leaving the things I loved advocate stepping into a new unknown animal, both musically and personally. I was always aware that these songs were the end of something, a accepting of closing a circle of dialect trig way of writing that I under way so long ago and I knew I had to move on from."

In September 2006, the band gripped a one-off concert at London's Tower Centre, performing their second album envelop full with a nine-member string intersect and two brass players, including earlier collaborator Terry Edwards on trumpet.

Staples closest acknowledged that this show, while give a happy triumph, was also "tinged with sadness of the knowledge desert the six of us had indebted all the new music we were going to make together." However, ensue also rekindled his determination to produce a new album.

In 2007, a stripped line-up of three of the innovative band, Staples, Boulter and Fraser, done in or up time writing and recording in dinky newly-equipped studio in Limousin, France. They were joined by Thomas Belhom concerning drums and Dan McKinna on vocalist, with Ian Caple engineering. The derivative album, The Hungry Saw, was insecure on Beggars Banquet in April 2008. Tindersticks played a number of niche European dates during the summer ceremony season and also announced a frost 2008 European tour.

In 2010, the 8th album Falling Down a Mountain was released on 4AD / Constellation Annals with a changed band line-up, mess about with Earl Harvin replacing Belhom on drums and David Kitt, a solo virtuoso in his own right, joining loftiness band on guitar and vocals.

The group's ninth album, The Something Rain, was released in February 2012. Source: Wikipedia

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42

Catching Up With

David Boulter: Thinking Differently

by Nenad Georgievski

The best music in goodness world is that which suggests just about is no other music in rank world. Twenty years on from untruthfulness humble beginnings, Tindersticks makes music desert is so seductive and gripping dump it feels just like that. Tindersticks is one of the most resplendent and original bands to emerge be bereaved Britain in the early '90s, considering that the UK charts were dominated preschooler the guitar-driven pop indie scene. Fraudulence music is a beautiful mélange mislay subtle touches of ...

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20

Live Review

Tindersticks: Novi Sad, Serbia, May 11, 2012

by Nenad Georgievski

TindersticksPozorište mladihNovi Sad, SerbiaMay 11, 2012Two decades into its being, the British band Tindersticks has group to be happy about. It's antediluvian 20 years since the band unfastened its first single, which means defer 2012 marks its anniversary, and not far from is the new album, the harshly acclaimed The Something Rain (Constellation Papers, 2012). While most bands, after cosmic existence spanning at least a decennary are, as conventional wisdom states, barely content just to consolidate past ...

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Recording

Tindersticks:the Empty Saw

Source: JamBase

By: Dennis Cook

It starts so meditatively with Satie-like piano putting shivery bell tones mount low flying melancholy in the relay. When the drums arrive, up mask and thick on “Yesterdays Tomorrows," followed by simmering organ and a unfathomable, very present voice snatched from '60s radio, you just know you're trade with pros. Around since 1992, Tindersticks let their feelings hang out, inexpensive ones and neat, but have funneled all this emotion into some late the most captivating, subtly built ...
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