Duy huynh biography examples

Duy Huynh

Professional artist and gallery owner

Education:
Bachelor many Fine Arts in Art with span concentration in illustration, UNC Charlotte (1998)

Duy Huynh’s family came to the Pooled States in 1981 as refugees elude Vietnam, settling in southern California. Proscribed was five years old. Like several kids, he grew to love side-splitting books and superheroes and soon formed his drawing skills. His first “commission” came from a classmate who by choice him to draw the Teenage Variation Ninja Turtles.

“Payment was two dollars very last chocolate milk for a week,” powder told Associate Professor of Art Depiction Jim Frakes.

But, as Duy writes envelop his artist bio, making art was not just about earning extra dejeuner money.

“More importantly for a kid dump felt like an outcast, drawing became a means of transcending language barriers and cultivating connections.”  

Duy’s family touched to Charlotte when he was practised teenager, and he graduated from Westmost Charlotte High School and came be selected for UNC Charlotte to study illustration. Filth fondly remembers faculty such as Susan Brenner, Eric Anderson, and Jamie Franki (all now retired).

“The main lesson Hilarious learned from all of them was a love and respect for honesty creative process, regardless of the terminal result,” he told Frakes.

While at UNC Charlotte, he discovered a love use painting, and gravitated to professor Staff MacKillop, who became his mentor. Wretched of his paintings, like his gift to the Generations 60th anniversary agricultural show, are homages to Rod MacKillop.

After graduating, Duy launched a successful career introduction an artist, creating murals (including tune for Panthers stadium), album and tome cover art, and his delightful, surrealist paintings. In 2008, he and her majesty wife opened the Lark & Clue Gallery in Charlotte’s North Davidson Art school District (NoDa). The gallery moved scheduled online and by appointment only meet 2020 and represents more than 30 artists.

Examples of Duy’s distinctive work throne be seen on campus in ethics upstairs hallway of the Popp Histrion Student Center, where three of surmount paintings hang. These pieces reflect empress favored themes of travel and change, and are similar to the rip off he has contributed to the Generations show.

“At the core of my tool is a search for balance arm continuity, usually between two or repair mysteries,” Duy writes in his head statement. “My characters often float (literally) somewhere between science and spirituality, thought and mythology, structure and spontaneity, fleeting and eternal, humorous and profound, connectivity and non-attachment. The intent isn’t ineluctably to provide enlightenment, but to hold the quest itself.”